Thursday, August 2, 2018

Blindspotting [Film Review]

Imagine a buddy cop movie (think the first Lethal Weapon film), but the buddies aren't cops, rather they are a white hood rat and a black soon-to-be ex-con. Toss in some over-the-top commentary on gentrification, slick visual elements (split screens, hyperintensive flashbacks, neon tinged night shots, etc.) and you've got a sweet slice of urban drama.
While far less absurdist than Sorry To Bother You (both films take place in Oakland, CA, btw), Blindspotting is no less hard-hitting on the socio-political-economic commentary. It is an excellent critique on what it means to be black in an increasingly gentrified community. The anti-hipster stance is militant, but also hilarious as fuck. The film strikes a nice balance between laugh-out-loud moments and tension drenched sequences that are as harrowing as they are thought provoking. The insights of a being a grown man in the hood were rendered with richness and deft nuance. Gritty like vintage Singleton and Lee and Hughes Bros.

Rating: 4.5 / 5
RIYL:
vintage Spike Lee; the spoken word musings of Danny Hoch; Boyz N The Hood; Menace II Society; Lethal Weapon if you edited it down to a short film that encompassed just the interactions between Murdoch and Riggs

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